Facial Geometry

Written with Maureen Seaton and Kristine Snodgrass, Facial Geometry is the literary equivalent of having a couple of friends over. It is an invitation to run the gauntlet of hilarity where every word is a whip-sharp feather. Experience a disturbing disintegration of authorial identity. Experience that identity reshape and reassemble as an intelligent chimera that stares you in the face with as many faces as you can imagine. Read excerpts in the November 2006 issue of Admit2. If you're brave enough to buy our chapbook visit NeOPP Press.

What's a chapbook you ask? Well, it is a generic term to cover a particular genre of pocket-sized booklet, popular from the sixteenth through to the later part of the nineteenth century.

H_NGM_N

Here's an excerpt from Z - A with my collaborator, Maureen Seaton

Z – A

Zeeeee: Is a small yet visible phenomenon exerted on a body rotating directly upon
any moving wind of objects at the poles and goes east to zero at the
equator because it is an apparent right directed outwards in a clockwise
velocity in a non-appreciable suspension non-advection similar to the
Zeeman effect.

Y (Why) Brings to mind the breach between the Seen and the Unseen; or, in other
more uncrinolined disciplines, the gross symbiotic effect recently stumbled
upon by Yasbel’s Knife or the Kaleidoscope of Rhizomes (See Kay.)

Xotic Haven’t seen Kay yet but news from Joan about swamps made it this way,
i.e., it’s okay to swim barefoot and petticoats are high fashion once again on
Thursdays.

V L

Read the full text at H_NGM_N.